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The fashion show and its spaces are sites of otherness, representing everything from rebellion and excess through to political and social activism. This conceptual and stylistic variety is reflected in the spaces they occupy, whether they are staged in an industrial warehouse, on a city street, or out in the open landscape.Staging Fashion is the first collection of essays about the presentation and staging of fashion in runway shows in the period from the 1960s to the 2010s. It offers a fresh perspective on the many collaborations between artists, architects and interior designers to reinforce their interdisciplinary links. Fashion, architecture and interiors share many elements, including design, history, material culture, aesthetics and trends. The research and ideas underpinning Staging Fashion address how fashion and the spatial fields have collaborated in the creation of the space of the fashion show.The 15 essays are written by fashion, interior, architecture and design scholars focusing on the presentation of fashion within the runway space, from avant-garde practices and collaboration with artists, to the most spectacular and commercial shows of recent years, from Prada to Chanel.

Défilés de mode.

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An illustrated study of the Roman triumphal procession, Ida Ostenberg analyses the stories the Roman triumph told about the defeated and the ideas it transmitted about Rome itself.

Processions --- Triumph. --- Défilés --- Triomphe --- Rome --- Civilization. --- Civilisation --- Triumph --- Civilization --- Défilés --- Processions - Rome --- Rome - Civilization

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Folklore --- Mons [Hainaut] --- Festivals --- Processions --- Fêtes --- Défilés --- Mons (Belgium) --- Mons (Belgique) --- Social life and customs --- Moeurs et coutumes --- #VCV fonds R. van der Linden --- #VCV monografie 1999 --- Fêtes --- Défilés

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Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth century, has received little scholarly or theoretical attention. Yet, this form of social behaviour has been so thoroughly naturalised in our accounts of western European history that it merited little comment as a cultural performance choice over many centuries until recently, when a generation of cultural historians using explanatory models from anthropology called attention to the processional mode as a privileged vehicle for articulation in its society. Their analyses, however, tended to focus on the issue of whether processions produced social harmony or reinforced social distinctions, potentially leading to conflict. While such questions are not ignored in this collection of essays, its primary purpose is to reflect upon salient theatrical aspects of processions that may help us understand how in the performance of "moving subjects" they accomplished their often transformative cultural work.

History of civilization --- Theatrical science --- anno 1600-1699 --- anno 1200-1499 --- anno 1500-1599 --- Processions --- Processions, Religious --- Défilés --- History --- Histoire --- 264-057 --- Processies --- 264-057 Processies --- Défilés --- Processions [Religious ] --- Moyen Age

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Politics and culture --- Processions --- Politique et culture --- Défilés --- Political aspects --- Aspect politique --- China --- Chine --- Cultural policy --- Politique culturelle --- History --- Défilés --- Politics and culture - China - History - 20th century --- China - Cultural policy